Silent Strings: The Cultural Identity of the Guqin in the Shape of National Policies

Authors

  • Huiwen Qu Faculty of Music and Performing Arts, Sultan Idris Education University, Malaysia
  • Flory Ann Mansor Gingging Faculty of Music and Performing Arts, Sultan Idris Education University, Malaysia

Keywords:

Guqin, Cultural Identity, Tranditional Cultural, Cultural Policy

Abstract

The guqin from an exclusive cultural instrument of the literati class to a protected intangible cultural heritage—Its shifting status reflects the condensed history of Chinese culture. The guqin was inscribed by UNESCO in 2003 as a "Masterpiece of the Oral and Intangible Heritage of Humanity," marking a turning point. Since then, it has no longer been merely an elegant pastime for scholars but has entered the realm of national cultural strategy, becoming an important symbol of China's cultural soft power. The policy's "designation" of the guqin constitute a cultural practice of power. On one hand, it redefines what constitutes the "orthodox" guqin tradition—what deserves protection, promotion, and transmission. On the other hand, it has also been subject to bottom-up interpretations by different decoders, revealing diverse understandings and expressions of the guqin. Utilizing ethnographic methods, this article explores the guqin's modern cultural identity emerges through ongoing negotiations between national preservation policies and local interpretations of the tradition.

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Published

2025-07-16

How to Cite

Qu, H., & Gingging, F. A. M. (2025). Silent Strings: The Cultural Identity of the Guqin in the Shape of National Policies. International Journal of Academic Research in Progressive Education and Development, 14(3), 430–443. Retrieved from https://ijarped.com/index.php/journal/article/view/3678