The Movement System of Zhanjiang “KaoBing” Nuo Dance and its Adaptation on Contemporary Stage Performance

Abstract

This study examines the movement system of Zhanjiang “KaoBing” Nuo dance, a ritual dance rich in symbolic hand gestures, arm movements, steps and floor patterns that rooted in local spiritual beliefs. Using ethnographic methods, it documents the dance’s traditional structure and explores its creative adaptation for contemporary stage performance. This study aims to analyze the movement process and symbolic meaning behind the “KaoBing” Nuo dance in Zhanjiang, exploring how each gesture and sequence contributes to the ritual’s overall purpose. In addition, it examines how the aesthetic qualities of the dance movements have changed over time, reflecting shifts in cultural values, performance contexts, and artistic expression. The research highlights how essential ritual elements can be artistically transformed while preserving cultural integrity, offering new possibilities for revitalizing intangible heritage in modern contexts.